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Jen found #somebody!
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New post on the blog (link in profile) about ways to teach yourself how to code, create and innovate — and how #libraries are getting into the game. Featuring Code.org, Girls Who Code, Code Academy, I AM OTHER, Digital Learning Day, News Hour, Eye Wire at MIT, Creative Growth Center in Oakland, CA , TEDxLuxembourg, The Bubble at Madison Public Library
I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this.”
- Pete Seeger in rely to a HUAC (House Committee on Un-American Activities) subpoena
Testimony of Pete Seeger before the House Un-American Activities Committee, August 18, 1955
… Mr. TAVENNER: The Committee has information obtained in part from the Daily Worker indicating that, over a period of time, especially since December of 1945, you took part in numerous entertainment features. I have before me a photostatic copy of the June 20, 1947, issue of the Daily Worker. In a column entitled “What’s On” appears this advertisement: “Tonight—Bronx, hear Peter Seeger and his guitar, at Allerton Section housewarming.” May I ask you whether or not the Allerton Section was a section of the Communist Party?
Mr. SEEGER: Sir, I refuse to answer that question whether it was a quote from the New York Times or the Vegetarian Journal.
Mr. TAVENNER: I don’t believe there is any more authoritative document in regard to the Communist Party than its official organ, the Daily Worker.
Mr. SCHERER: He hasn’t answered the question, and he merely said he wouldn’t answer whether the article appeared in the New York Times or some other magazine. I ask you to direct the witness to answer the question.
Chairman WALTER: I direct you to answer.
Mr. SEEGER: Sir, the whole line of questioning—
Chairman WALTER: You have only been asked one question, so far.
Mr. SEEGER: I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this. I would be very glad to tell you my life if you want to hear of it.
Mr. TAVENNER: Has the witness declined to answer this specific question?
Chairman WALTER: He said that he is not going to answer any questions, any names or things.
Mr. SCHERER: He was directed to answer the question.
Mr. TAVENNER: I have before me a photostatic copy of the April 30, 1948, issue of the Daily Worker which carries under the same title of “What’s On,” an advertisement of a “May Day Rally: For Peace, Security and Democracy.” The advertisement states: “Are you in a fighting mood? Then attend the May Day rally.” Expert speakers are stated to be slated for the program, and then follows a statement, “Entertainment by Pete Seeger.” At the bottom appears this: “Auspices Essex County Communist Party,” and at the top, “Tonight, Newark, N.J.” Did you lend your talent to the Essex County Communist Party on the occasion indicated by this article from the Daily Worker?
Mr. SEEGER: Mr. Walter, I believe I have already answered this question, and the same answer.
Chairman WALTER: The same answer. In other words, you mean that you decline to answer because of the reasons stated before?
Mr. SEEGER: I gave my answer, sir.
Chairman WALTER: What is your answer?
Mr. SEEGER: You see, sir, I feel—
Chairman WALTER: What is your answer?
Mr. SEEGER: I will tell you what my answer is.
I feel that in my whole life I have never done anything of any conspiratorial nature and I resent very much and very deeply the implication of being called before this Committee that in some way because my opinions may be different from yours, or yours, Mr. Willis, or yours, Mr. Scherer, that I am any less of an American than anybody else. I love my country very deeply, sir.
Chairman WALTER: Why don’t you make a little contribution toward preserving its institutions?
Mr. SEEGER: I feel that my whole life is a contribution. That is why I would like to tell you about it.
Chairman WALTER: I don’t want to hear about it.
Mr. SCHERER: I think that there must be a direction to answer.
Chairman WALTER: I direct you to answer that question.
Mr. SEEGER: I have already given you my answer, sir.
Mr. SCHERER: Let me understand. You are not relying on the Fifth Amendment, are you?
Mr. SEEGER: No, sir, although I do not want to in any way discredit or depreciate or depredate the witnesses that have used the Fifth Amendment, and I simply feel it is improper for this committee to ask such questions.
Mr. SCHERER: And then in answering the rest of the questions, or in refusing to answer the rest of the questions, I understand that you are not relying on the Fifth Amendment as a basis for your refusal to answer?
Mr. SEEGER: No, I am not, sir… .
Mr. TAVENNER: You said that you would tell us about the songs. Did you participate in a program at Wingdale Lodge in the State of New York, which is a summer camp for adults and children, on the weekend of July Fourth of this year?
(Witness consulted with counsel.)
Mr. SEEGER: Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.
Mr. TAVENNER: I am going to ask you.
Mr. SEEGER: But I decline to say who has ever listened to them, who has written them, or other people who have sung them.
Mr. TAVENNER: Did you sing this song, to which we have referred, “Now Is the Time,” at Wingdale Lodge on the weekend of July Fourth?
Mr. SEEGER: I don’t know any song by that name, and I know a song with a similar name. It is called “Wasn’t That a Time.” Is that the song?
Chairman WALTER: Did you sing that song?
Mr. SEEGER: I can sing it. I don’t know how well I can do it without my banjo.
Chairman WALTER: I said, Did you sing it on that occasion?
Mr. SEEGER: I have sung that song. I am not going to go into where I have sung it. I have sung it many places.
Chairman WALTER: Did you sing it on this particular occasion? That is what you are being asked.
Mr. SEEGER: Again my answer is the same.
Chairman WALTER: You said that you would tell us about it.
Mr. SEEGER: I will tell you about the songs, but I am not going to tell you or try to explain—
Chairman WALTER: I direct you to answer the question. Did you sing this particular song on the Fourth of July at Wingdale Lodge in New York?
Mr. SEEGER: I have already given you my answer to that question, and all questions such as that. I feel that is improper: to ask about my associations and opinions. I have said that I would be voluntarily glad to tell you any song, or what I have done in my life.
Chairman WALTER: I think it is my duty to inform you that we don’t accept this answer and the others, and I give you an opportunity now to answer these questions, particularly the last one.
Mr. SEEGER: Sir, my answer is always the same.
Chairman WALTER: All right, go ahead, Mr. Tavenner.
Mr. TAVENNER: Were you chosen by Mr. Elliott Sullivan to take part in the program on the weekend of July Fourth at Wingdale Lodge?
Mr. SEEGER: The answer is the same, sir.
Mr. WILLIS: Was that the occasion of the satire on the Constitution and the Bill of Rights?
Mr. TAVENNER: The same occasion, yes, sir. I have before me a photostatic copy of a page from the June 1, 1949, issue of the Daily Worker, and in a column entitled “Town Talk” there is found this statement:
The first performance of a new song, “If I Had a Hammer,” on the theme of the Foley Square trial of the Communist leaders, will be given at a testimonial dinner for the 12 on Friday night at St. Nicholas Arena… .Among those on hand for the singing will be … Pete Seeger, and Lee Hays—
and others whose names are mentioned. Did you take part in that performance?
Mr. SEEGER: I shall be glad to answer about the song, sir, and I am not interested in carrying on the line of questioning about where I have sung any songs.
Mr. TAVENNER: I ask a direction.
Chairman WALTER: You may not be interested, but we are, however. I direct you to answer. You can answer that question.
Mr. SEEGER: I feel these questions are improper, sir, and I feel they are immoral to ask any American this kind of question.
Mr. TAVENNER: Have you finished your answer?
Mr. SEEGER: Yes, sir… .
Mr. TAVENNER: Did you hear Mr. George Hall’s testimony yesterday in which he stated that, as an actor, the special contribution that he was expected to make to the Communist Party was to use his talents by entertaining at Communist Party functions? Did you hear that testimony?
Mr. SEEGER: I didn’t hear it, no.
Mr. TAVENNER: It is a fact that he so testified. I want to know whether or not you were engaged in a similar type of service to the Communist Party in entertaining at these features.
(Witness consulted with counsel.)
Mr. SEEGER: I have sung for Americans of every political persuasion, and I am proud that I never refuse to sing to an audience, no matter what religion or color of their skin, or situation in life. I have sung in hobo jungles, and I have sung for the Rockefellers, and I am proud that I have never refused to sing for anybody. That is the only answer I can give along that line.
Chairman WALTER: Mr. Tavenner, are you getting around to that letter? There was a letter introduced yesterday that I think was of greater importance than any bit of evidence adduced at these hearings, concerning the attempt made to influence people in this professional performers’ guild and union to assist a purely Communist cause which had no relation whatsoever to the arts and the theater. Is that what you are leading up to?
Mr. TAVENNER: Yes, it is. That was the letter of Peter Lawrence, which I questioned him about yesterday. That related to the trial of the Smith Act defendants here at Foley Square. I am trying to inquire now whether this witness was party to the same type of propaganda effort by the Communist Party.
Mr. SCHERER: There has been no answer to your last question.
Mr. TAVENNER: That is right; may I have a direction?
Mr. SEEGER: Would you repeat the question? I don’t even know what the last question was, and I thought I have answered all of them up to now.
Mr. TAVENNER: What you stated was not in response to the question.
Chairman WALTER: Proceed with the questioning, Mr. Tavenner.
Mr. TAVENNER: I believe, Mr. Chairman, with your permission, I will have the question read to him. I think it should be put in exactly the same form.
(Whereupon the reporter read the pending question as above recorded.)
Mr. SEEGER: “These features”: what do you mean? Except for the answer I have already given you, I have no answer. The answer I gave you you have, don’t you? That is, that I am proud that I have sung for Americans of every political persuasion, and I have never refused to sing for anybody because I disagreed with their political opinion, and I am proud of the fact that my songs seem to cut across and find perhaps a unifying thing, basic humanity, and that is why I would love to be able to tell you about these songs, because I feel that you would agree with me more, sir. I know many beautiful songs from your home county, Carbon, and Monroe, and I hitchhiked through there and stayed in the homes of miners.
Mr. TAVENNER: My question was whether or not you sang at these functions of the Communist Party. You have answered it inferentially, and if I understand your answer, you are saying you did.
Mr. SEEGER: Except for that answer, I decline to answer further… .
Mr. SCHERER: Do you understand it is the feeling of the Committee that you are in contempt as a result of the position you take?
Mr. SEEGER: I can’t say.
Mr. SCHERER: I am telling you that that is the position of the Committee… .
Mr. SEEGER: I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known. I love my country very dearly, and I greatly resent this implication that some of the places that I have sung and some of the people that I have known, and some of my opinions, whether they are religious or philosophical, or I might be a vegetarian, make me any less of an American. I will tell you about my songs, but I am not interested in telling you who wrote them, and I will tell you about my songs, and I am not interested in who listened to them… .
Source: Congress, House, Committee on Un-American Activities, Investigation of Communist Activities, New York Area (Entertainment): Hearings, 84th Congress, August 18, 1955(via thingspeopleasklibrarians)
Intense!! Rest in peace, good sir!(via thecostumedlibrarian)
State of the Union summary: We’ve come too far to give up who we are.
- SR, S360
Her assistant director Thomas Patrick Smith (who also worked on Being John Malkovich, Adaptation, and Where the Whild Things Are) explains to the Los Angeles Times how he helps Spike choose the teams who work on his films:
L.A. Times: We’ve talked to a number of people on this movie about their vision but we haven’t delved into how they came together in the first place. You help Spike assemble his teams. How does it work?
Thomas Patrick Smith: It’s a very painstaking process. Spike pretty much selects every single person who’s going to be involved in his movies, and no one is there arbitrarily. It starts as a circle of six or eight people — the people you’ve been talking to, who go back with him almost 20 years — and then the next meeting it grows, maybe 10 to 14. And then the room keeps filling with chairs, and at these meetings Spike just goes around the room and takes everyone’s temperature.
L.A. Times: But not everyone is handpicked by Spike, are they?
Thomas Patrick Smith: Actually they are. Before we begin shooting everyone gets interviewed. And I mean everyone. Including the person holding the cable. “What do you like? What are you going to bring to the table?” We’re trying to figure out the important things. Are you the person who works with the resonance? Or are you working against the flow?
L.A. Times: How do they react to that?
Thomas Patrick Smith: At first some of these folks are like, “What, I have to meet Spike?” They’re not prepared for the level of intimacy they’re expected to bring. And sometimes there’s resistance. I’ll hear, “That’s not the way we do it on the big pictures.” And my immediate response is, “We don’t want to do it like they do it on the big pictures.”
Finding and hiring the best, right people is always critical. People often don’t take the time and the end result reflects that negligence. Watching this film, it was clear that there was a coherence to the creative vision and its execution.
Here are some shots from New & Improved at Radio. Last Monday featured Erich Hagan and Steve Subrizi. All photos by Melissa Newman-Evans.
Very excited for my friend Ryan Gaul, a Groundling, who has joined the cast of House of Lies.
I am absolutely thrilled to post the complete cut of the wonderful comedy special I helped put together for Showtime entitled “HOUSE OF LIES LIVE!" The show, which also airs on television on New Years Eve at 10pm on Showtime (with no beeps or edits), features House of Lies cast members Don Cheadle, Kristen Bell, Ben Schwartz (that’s me), Josh Lawson, Lauren Lapkus, Eugene Cordero and Ryan Gaul performing long form improv at the Upright Citizens Brigade Theatre in LA.
For those of you who have never seen long form before- the group begins by getting a random suggestion from the audience, they then use the suggestion as a springboard to MAKE UP AN ENTIRE SHOW ON THE SPOT. Nothing is planned beforehand. Every word is created right there, which is hard enough for seasoned improvisers, let alone these amazing actors who were daring enough to try it out for the first time on national television.
I have been performing improv for ten years at the UCB Theatres in New York and Los Angeles, so I am beyond excited to show the world even a taste of what we do on a daily basis. Please check out the video above (click on the settings wheel and pump that baby up to 720HD) and look out for the unedited, no beep version on Showtime/Showtime on Demand on New Years Eve at 10pm.
It would mean so much to me if you spread the word about the special. Please pass it around in any way you can dream. And yes, the online version has beeps in it, but those beeps made it possible for Showtime to post the entire show online for FREE (subscribers and non-subscribers) which is pretty amazing. Thank you so much to Showtime and to the huge amount of crew, cast, executives and producers who did so many things so well in order to make this special happen.